Surface Area Dance Theatre CIC

On the 14 of May 2007, Surface Area Dance Theatre became incorporated as a Community Interest Company, under the Companies Act of 1985. We recognise our moral and social responsibility and our work aims to promote equality and diversity, in all aspects of our company activities. In 2018, we became a registered Level 2 Disability Confident Committed Employer, which is a scheme developed by employers and disabled people’s representatives.

In collaboration with artists, participants, academics and stakeholders, we continue to develop an original dance language that is formed by identity, reflecting the artistic and social commitments of our company -  achieved by dedicating the company's resources to periods of intensive research, the presentation of dance through live performance, interdisciplinary collaborations and international cultural exchange. Our company is Co-Directed by Nicole Vivien Watson and Paul Miller, we are representative of our community, and resources are maintained to enable a continued discourse with the D/deaf and hearing community, via communication channels in English and British Sign Language.

 

Engagement

"We would like to extend a massive thanks to Director Nicole Vivien Watson and our friend and choreographer Chris Fonseca who continue to utilise and experiment with our technology. Collectives like Surface Area Dance Theatre enable us to connect people from all walks of life with music and sound while also raising important issues and educating about the D/deaf and Hoh communities".SubPack Ltd

 

Collaborators

Hand In Hand (2019) choreographed by Chisato Minamimura and produced by Surface Area Dance Theatre. Presented at Dance City, in collaboration with visual artist Graham Patterson and musician Tom White. The finale of a week-long project led by Chisato, that involved twenty extraordinary D/deaf and hearing dancers from the North-East region, who were inspired to respond to Chisato’s unique creative practice. Supported by Arts Council England, Dance City, Moving Art Management and The Japan Foundation.

Repertoire

"The strength of this piece was in collaboration and accessibility which was integral right from inception and this played beautifully on stage – there was no BSL interpreter as an add-on. In moments of text, there were always two performers playing back and forth with each other, one using stunning flowing BSL and the other spoken English, with points of joint signing which would flow back into or out of the dance…". Disability Arts Online, 22 March 2019

‘Behind the Face of a Rock, Throwing Stones’ UK and European Performances

Behind the Face of a Rock, Throwing Stones Behind the Face of a Rock, Throwing Stones currently exists as an enquiry and process of choreographic research, that is centred upon an experiential understanding and knowledge of British Sign Language, Mindfulness and Connectivity. The opening or gateway of creative influence has been supported by the introduction of Ma (間),…

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British Council: Ise City Residency Programme

British Council: Ise City Residency Programme 2019 – 20 Following more than 600 submissions, the British Council invited six UK-based artists all specialising in different art-forms to take part in a unique artistic research residency in Ise City in Japan. Company Director, Nicole Vivien Watson was one of the six artists selected. The residency provided…

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2020 begins with an expression of thanks to The John S. Latsis Public Benefit Foundation

2020 begins with an expression of thanks to The John S. Latsis Public Benefit Foundation agreeing to support Surface Area Dance Theatre’s 2020 programme of engagement in Athens. At a time when borders and gates are becoming ever-more restricted, it is an honour to receive funding from Greece. We are committed to reaching out and…

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With thanks to The Greggs Foundation, Local Communities Fund

With thanks to The Greggs Foundation, Local Communities Fund we can purchase the necessary technology and equipment that will enable members of the D/deaf community to access a range of events and opportunities that place dance and creative movement at the heart of engagement. We look forward to launching new activities in 2020, to coincide with…

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Behind the Face of a Rock, Throwing Stones as featured by SUBPAC created to transform our connection to music & sound.

“We would like to extend a massive thanks to Director Nicole Vivien Watson and our friend and choreographer Chris Fonseca who continue to utilise and experiment with our technology. Collectives like Surface Area Dance Theatre enable us to connect people from all walks of life with music and sound while also raising important issues and…

Read More

Chisato Minamimura asks ‘What is Translation?’

    ‘What is Translation?’ seeks to explore communication and how the processes of interpretation and translation are negotiated. Within the D/deaf world many communication channels are instrumental in how, for example, British Sign Language is fully understood. The parameters of this understanding rest upon an agreed use of sign language structures and vocabulary, that…

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Surface Area Dance Theatre completes a Creative Summer residency at Dance City (UK)

Surface Area Dance Theatre completes a Creative Summer residency at Dance City, to further explore “Behind the Face of a Rock, Throwing Stones”, that will premiere at Dance City on the 6 of June 2020. One significant area of research set out to explore the use and range of ‘Subpack’ (as pictured). A wearable technology that translates…

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Company Director, Nicole Vivien Watson is in residence at Earthfall, France

Company Director, Nicole Vivien Watson is in residence at Earthfall, France. Nicole is taking the opportunity to visit Earthfall’s studio, dedicating a week of studio research to a study directed by Hiroyuki Ikema’s ‘Folk Dance of Japan’ in cooperation with the National Folk Dance of Japan (1981), published by National Recreation Association of Japan with assistance…

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