The Mud Formed A Finger, Pointed & Raft
Performed at the Gymnasium, Berwick Visual Arts on the 20th of January 2018 http://www.berwickvisualarts.co.uk/whats-on/129/surface-area-dance-theatre-the-mud-formed-a-finger-pointed-and-raft
Two live 20-30 minute performances with a 30 minute intermission.
The Mud Formed A Finger, Pointed explores creation myth and Messy Play, while Raft is a navigation of self via astrology. Made in collaboration between Matthew De Kersaint Giraudeau, Ben Jeans Houghton and Nicole Vivien Watson. The Mud Formed A Finger, Pointed offers a study of the human body as an uncanny object that oscillates between figuration and abstraction, body and material, depicting an object becoming human, a human becoming an object and the protean states between.
Nicole Vivien Watson emerges from an industrial bucket, her body covered in dripping, viscous liquid. The work embodies a contemporary creation myth that melds object and subject, abject and sacred, non-human and human. By invoking the narrative imagery of creation myths where humans are formed from the earth, within the aesthetic of the fetish Messy Play and through the language of Butoh, the performance links our understandings of the contemporary body and our imaginings of a primordial past.
Raft explores inner and outer landscapes, through Nicole’s choreographed mapping and navigation of the solar system and the self performed on a sculptural Zodiac stage. Presenting a dialogue between the microcosm and the macrocosm, mapping the relationships between distant stars, the present individual and the planets, in an exploration and interogation of the esoteric and exoteric aspects of self.
Raft draws inspiration from: ‘The Archaic Revival’ – the invigoration of principles and practices whose efficacy was mislaid during the divorce of science and spirituality. ‘Alchemical Practice’ – the ritual arrangement of persons and symbols in the physical world to create a narrative dialogue that changes the conceptual and emotional world within us. ‘Self exploration’ – the quest to know oneself via a navigation of our emotional and historical experience of being.
The Mud Formed A Finger, Pointed & Raft is supported using public funding by the National Lottery through Arts Council England
Auricular, 2014 - 2017
Auricular a multi - disciplinary performance inspired by British Sign Language (BSL) sensory processing and communication. Auricular intends to construct an immersive sensory environment through dance, sound and BSL, evoking a state of being which plays between the sensual, physical and affected.
Dance City and BALTIC Centre of Contemporary Art (UK) firstly commissioned Auricular, in 2014 and 2015. With support from Arts Council England and partnering organisations, Auricular was then recently presented in April 2017, at CCA: Glasgow, Berwick Visual Arts and Turner Contemporary.
“British Sign Language is a language of movement, space and expression. As a movement researcher and choreographer, I am fascinated by the depth and clarity of a language that does not rely on the spoken word”. (Ref, Nicole Vivien Watson, 2015)
Auricular is supported using public funding by the National Lottery through Arts Council England
Project Godie Live Events, August 2016
Co - Produced by Surface Area Dance Theatre and Adam Denton and Directed and Choreographed by Vangeline. Project Godie is a multi-platform exploration of the shared industrial, military and cultural heritage of the North East of England and Japan and is supported by The Heritage Lottery Fund.
Performing Artists: Molly Procter, Nicole Vivien Watson and Vangeline, Sonic Performance: Trans/Human, Costume Design and Creation: Katerina Dipla, Lighting Design: Louise Gregory
Documentation courtesy of Aaron Guy
"It's more about movement than dance; and those movements have only been arrived at through long, drawn out exercises in stripping away layer upon layer of socially conditioned thought and action to eventually reveal the twitching, pulsing sentient being suffocating underneath".
Review of Project Godie Live Events: Kopf, Biba. The Wire. (2016, November). On Site. Exhibitions, installations,etc. p.83
A Mountain of Black Stones, 2015 - 2016
A somatic live performance, that rests upon the interplay of sculpture, performed movement and sound. The environment of the performance is conditioned by a large and sculpted spatially - dominate quantity of coal. Buried within the sculpture are four independent stereo units, amplifying a composed collection of sounds, constructed from a series of real - world and synthetic sounds, dissociated from the living environment of the performance space. Thereby making a distinction between contexts that are physically known to those that are abstracted.
Performances are choreographed to evoke metaphorical meaning, this experienced individually, by the audience, from the first moments of encountering the sculpture. The intention of the performance is to facilitate an immersive sensory environment, whereby the parameters of the viewer’s awareness becomes blurred. Supported by the Embassy of Norway, the Norwegian Institute of Athens and the British Council in Athens.
Performed by: Nicole Vivien Watson, Installation by: Yorgos Maraziotis, Sound performance by: Klunks.
Surface Area Dance Theatre have established a large body of work over recent years working with diverse and talented collaborators peforming to audiences locally, nationally and internationally.
On this page you will find a selected portfolio of our current and previous repertoire.
THE MUD FORMED A FINGER, POINTED & RAFT 8th of December 17, at CCA: GLASGOW https://www.cca-glasgow.com/programme/surface-area-dance-theatre-the-mud-formed-a-finger-pointed-raft 20th of December 17, at WORKPLACE GATESHEAD http://www.workplacegallery.co.uk/events/65/ Two live 20-30 minute performances with a 30 minute intermission. The Mud Formed A Finger, Pointed explores creation myth and Messy Play, while Raft is a navigation of…Read More
Where Our Roots Are Planted – Volunteer Dance Opportunity in partnership with BALTIC Centre for Contemporary Art
Guest producers Nicole Vivien Watson and Paul Miller are delighted to welcome San Francisco’s award-winning deaf dance artist Antoine to the region and we are looking for 20 volunteer dance participants to join him in a dynamic week of creative dance activities. Where Our Roots Are Planted is a week long project taking place during the day from Monday 9 October…Read More
In June 2007 Surface Area Dance Theatre was officially incorporated as a Community Interest Company; to mark this special occasion we are presenting an evening of work in celebration of our 10th Anniversary. Highlighted performances include: • An excerpt of Auricular returning to the region after touring in April 2017 to CCA Glasgow, Gymnasium Gallery…Read More
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A SURFACE AREA DANCE THEATRE CIC PROJECT
We are a limited company registered as a Community Interest Company (CIC) on 14th May 2007. Company number 6245579